Here's one of things I did when I was at the Art Institute of Seattle. This sucker took like about a week. At the time, I had two jobs where one I waited tables at Todai and the other was an animation lab tech at AIS. I remember I had to work like 30 hours at Todai and 18 hours at the lab that week. After doing my night shifts at Todai, I'd come back home to do all the frames. When I worked at the lab in the next mornings, I'd take the frames to the video capture station and screwed around with the timing of the animation. So this is how it turned out.